Facebook finally proved itself useful – I noticed a friend posting an ad of an upcoming gig of… The Cure. I was over the moon! They’ve been my favourite band for almost ten years, but I’ve never seen them live. They were performing at quite a few festivals back in 2011 and even went to Russia (I was at the UK at that time, obviously), but I never made it to any of these events. And now… a 3-hour performance at the Royal Albert Hall!
Actually, FB proved itself useful once again when I spotted a ‘Beat the touts‘ pre-sale for FB fans. So at 9 a.m. when it opened I was sitting there with my debit card at the ready refreshing the page every two seconds. And a couple of minutes later I had my ticket! Not the actual paper ticket, though, which will arrive in the post later, but still, I’ll get to see the Cure!
When excitement died down a little bit, I remembered that I wanted to look up those ‘touts‘. I sort of guessed that it means a ticket dealer, and that wasn’t far off. A ‘tout‘ is someone who sells tickets at very high prices outside a place such as a theatre or a sports stadium (MacMillan Dictionary).
As the examples below suggest, they are not a very popular crowd:
– Sharon Hodgson, a Labour MP, who has long campaigned for reforms to the ticketing industry, says: “This is not small-time touts. This is big-time industrial touts, power sellers, call them what you will. This is not fair means any more, this is foul means, criminal means.” But if she is correct, how are these touts able to secure tickets so much more effectively than ordinary fans? (The Telegraph)
– After tickets for Monty Python’s comeback gigs sold out before you could say ‘ni’, many went on sale again – at a vastly inflated cost. How do the touts get away with it? (The Independent)
P.S. Actually, I don’t think I’ve ever seen the photos of Robert Smith, The Cure’s front man, young, so here’s one:
… and after: